sexta-feira, 3 de agosto de 2012

*. Crysis .*

Album: Situation (1994)
Genre: Hard Rock (Melodic/AOR/Prog Rock)  /  Canada

Songs / Tracks Listing
01.Hero
02.Crazy Mama
03.Millionaire
04.Anything Goes
05.Wishing Well Mirror
06.Change Of Heart
07.Quervo On The Rocks
08.Rock My Cradle
09.Dog Go Down
10.White Lies
11.Under Fire

Line-up / Musicians
Randy Lebedow / Vocals, Guitar
Paul Sumner / Guitar
Brian Sanheim / Bass, Vocals
Blair Allan Ferguson / Drums, Vocals

RATING:  6.75 / 10

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quinta-feira, 2 de agosto de 2012

*. 3RDegree .*

Album: Human Interest Story (1996)
Genre: Crossover Prog (Prog Rock/Pop)  /  USA

The album's first song right off the bat put me into a completely different headspace than the last record I heard by 3rdegree had done. The grooves present in the music here are much more unconventional and experimental, as is all the instrumentation and even the vocal melodies, which shocked me the most, since most of the singing in ''Narrow-Caster'' sounded to me quite straightforward more often than not. Everything on this album just sounds more complex and involved to my ears, and as a result I do enjoy this album more. I suspect some of this is simply because I'm now familiar with 3rdegree's sound, and therefore know a little more of what to expect going in. Even considered that, however, this album DID surprise me quite a bit. Much more varied than what I have heard from them before, the album boasts a wide selection of prog and pop tunes, seamlessly integrated into one cohesive whole. The tracks flow into each other very well, and the album never feels contrived or forced. No song goes over seven minutes long, either, and most of them are around a four minute average length. The pop moments that are present are done in a way that seems full of originality and complexity, proving that these guys can right pop-like tunes without sacrificing the songwriting itself. Again, I feel like when I say these things about this album that it somehow eludes to me feeling the exact opposite about ''Narrow- Caster'', and I don't at all, but I am going the extra mile to strain how much more I enjoyed this record simply because I'm sure there have been others in my position that may have listened to the newest album, decided the music didn't really speak to them, and perhaps those people moved on without giving this album a listen first. The music on this thing is absolutely beautiful more often than not, and I want to make that known, since so few people have apparently heard this thing, at least around these parts. I mean, ONE rating prior to this writing? Unbelievable. Some of the standout tracks to me include: 'Human Interest Story', '13/Mistakes', 'Locked Inside', 'I', 'Stardust', 'Falling Through The Cracks', 'Black Orchid', 'Ladder' and 'We Must Wake Now', among others. There is is just so much varied content packed into this recording, and a hell of an amount of music to listen to. Everything is present here from traditional Pop/Rock tunes to the more staple Prog 'epic' styles, and even some cool, 80s-style Hip-Hop thrown in for brief periods! Yet despite these wide differences in style, it all seems to fit very well musically. You are bound to find something here to like, and most of it you will probably even love. I have indeed become a much more avid 3rdegree fan upon hearing this gem of an album. So I suggest if you are somebody who like me heard of 3rdegree, invested in ''Narrow-Caster'', and didn't quite relate . . . please give ''Human Interest Story'' a chance. I think you will find that you have been missing out on some truly incredible modern prog music. Plenty of heart and soul has been poured into this effort in particular, and I think it's a shame so few things have been said about it thus far. More people need to to hear and comment on this release. 3rdegree's true diversity shines brilliantly on this album, and I for one hope that they go in this music direction again someday, provided their creative genius does inteed point them in that direction. It shouldn't be forced, of course, but if the guys see it the right direction to once again, I should be particularly thrilled to hear it. So, I say that ''Human Interest Story'' is, on the whole, a better album than ''Narrow-Caster''. Call me crazy, but that's how I feel about it. I'm sure I'm not alone, but I just wish more good things were said about this one. It seems to be overshadowed considerably by its younger, critically-hailed younger brother, and I wonder how much of that has to do with actual content, and how much of it is simply due to which album got the most exposure. 3.8 out of 5 is my rating for this. Since PA doesn't have a point system, I'm giving it four stars. There is absolutely no excuse for an album this good to be over a decade old, and have only one other person reviewing it. Go buy it, then spread the word. People need to hear this one. It's fantastic. 
Review by "JLocke" (Prog Archives).

RATING:  7.25 / 10

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*. The Grand Silent System .*

Album: Gift or a Weapon (2003)
Genre: Prog Rock (Crossover/Folk/Exp.)  /  Australia

Australia, a country known for its outback, ethnicity, and as of late, a breeding ground for some startlingly forward thinking bands. "Gift Or A Weapon", the latest outing from these progressive musicians from down under, is without question an ambitious offering that resembles more a musical pilgrimage rather than your standard pre-processed album. Boundless in scope, the group journey through a variety of conflicting genres to express themselves and competently blend them all together with an alarmingly steeled focus. Jazz, funk, folk and more are some of The Grand Silent System's key weapons of choice, but that doesn't stop them from also incorporating rock, metal and a touch of world music whenever the necessity arises. At most times weighty and haunting, the group slowly push through the albums tracks with a discernible amount of resistance, implementing complexity and dense instrumentation to help strengthen their plight. Sounding somewhat similar at times to likes of a properly medicated version of Tool jamming with dredg and Jethro Tull; The bands grasp on musicianship is astounding and while prog-rock does seem to be a consistent foundation for their songs, a steady use of horns, flutes and a few other colorful instruments successfully broaden the horizons. Talented musicians of this caliber rarely miss a beat and with an impressive attention to detail exercised, this effort stays close to the mark. Inspiring, yet down to earth, the songs featured here are often grandiose in scale and somehow still come out sounding humble and grounded. Sure, it must be said that the albums slower pace does seem to work against it at times and there's no denying this isn't music for everyone. In fact, even those accustomed to such an encompassing musical experience such as this may likely only listen to this album on occasion. But that still doesn't detract from the fact that this effort represents a band setting their sights on the stars and nearly reaching them. An adventurous outing that should satisfy many a music fan disappointed with today's lack of artistry. Review by "wookubus" (www.theprp.com).

RATING:  8 / 10

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quarta-feira, 1 de agosto de 2012

*. Quasar Lux Symphoniae .* (Reissue 2012)

Album: The Dead Dream (1977)(Reissue 2012)
Genre: Prog Rock (Symphonic Prog)  /  Italy

I Quasar Lux Symphoniae sono una band friulana dedita ad un Prog sinfonico d'impatto, uno fra i nomi di spicco in ambito nazionale nel genere. Ho sempre seguito la discografia di Roberto Sgorlon (chitarra, voce, tastiere), Umberto Del Negro (basso), Fabrizio Morassutto (batteria) e Paolo Paroni, maestro aggiunto con la musica classica, ma i QLS sono un progetto ancora più ampio ed aperto a più artisti. In particolar modo ho apprezzato nel 2008 "Synopsis", ma anche il buon "Mit" del 2000 (Mellow Records) o l'opera Rock "Abraham" del 1994 e comunque la discografia composta da cinque album escluso il presente, che staziona sempre su buoni livelli. Ufficialmente si fanno conoscere al pubblico nel 1984 con "Night Hymn" in piena era New Prog, quando IQ, Marillion e Pendragon su tutti, imperversavano fra i fans. La curiosità attorno alla band, visto l'interesse del periodo sul genere, è pressoché immediata e si comincia a parlare anche di un disco debutto mai edito del 1977, il fantomatico "The Dead Dream". Questo è un concept album influenzato dalla psichedelìa dei Pink Floyd e anche da vigorose atmosfere elettriche, come quelle dell'Hard Rock. Quindi le canzoni risalgono al 1977, ma vengono riregistrate nel 1995 rispettando fedelmente le originali. Grazie alla Lizard, oggi possiamo godere di questo concept e chiudere il capitolo "album fantomatico". Un encomio a parte per l'artwork di Davide Guidoni, sempre più ispirato e prezioso. Il sogno della morte è profondo e drammatico sin dall'iniziale "Overture" e l'aurea degli anni '70 aleggia sopra l'ascoltatore, mentre le tastiere compongono buone melodie ed accompagnamenti. Per narrare un sogno servono atmosfere quantomeno psichedeliche e qui il tutto viene sottolineato anche da respiri ritmici e da una narrazione recitata d'impatto. Ma è "Life For Art" che si addentra nei meandri di questa storia, canzone semplice e sentita nell'interpretazione vocale. L'Hard Rock a cui mi riferivo in precedenza è quello di "Stranger Shadow", nulla di trascendentale, cadenzato e diretto, supportato da assolo di chitarra gradevole e trascinante. Qui con difficoltà si riscontrano i QLS che conosciamo oggi. Resta comunque palese che gli anni '70 hanno avuto un fascino sonoro di assoluta rilevanza, emotivi nell'approccio sia mentale che corporale, come nella strumentale "Cast Revelation". La chitarra lascia sognare anche a noi, una ballata sentita, accompagnata dalle sempre presenti tastiere. Tutti i brani probabilmente avrebbero necessitato di un migliore supporto di arrangiamenti, però dobbiamo sempre tenere alla mente che "The Dead Dream" doveva essere sempre un debutto e se vogliamo paragonarlo alle uscite degli anni '70 si può dire che siamo decisamente sopra la media. L'acustica "Look Again", "Game Over" e via verso la conclusiva "San Francisco California" trasportano la mente in questo oscuro viaggio onirico. L'ultimo brano è a mio avviso un piccolo gioiello in ambito Prog e battezza una band che successivamente saprà mantenere la promessa di buona scrutatrice d'idee. Piacevolissimo disco rispolverato e spero a questo punto di poter ascoltare buone nuove dai QLS, perché di buona musica ce n'è sempre bisogno, oggi e sempre, alla faccia di chi dice sempre che il Prog è morto. Recensione di "Massimo Salari" (http://rock-impressions.com).

RATING:  8 / 10

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*. Constants .*

Album: Pasiflora (2012)
Genre: Prog Rock (Post Rock/Shoegaze/Indie)  /  USA

Imagine progressive rock, indie rock and dreampop get combined. Sounds strange? Well, CONSTANTS just did so on their new album, Pasiflora, and – even if I really wouldn’t have expected an album like this I’m in love with it to the max. Pasiflora opens with the wonderful song Sunrise and it even feels like the sun is rising when listening to this song. All in all the album leaves you in the mood of a warm summer evening at the beach or in the park having some of the best hours of your life with your friends and the people you love. After the bands 2010 album, If Tomorrow The War, was pretty heavy I didn’t expect Pasiflora to be this wonderful, round and laid-back. With their fifth studio album CONSTANTS reveal a very different side of theirself. With an emphasis on shoegaze and an almost retro-sensibility. Whispering vocal harmonies, walls of chorused synths and booming PETER GABRIELesque drums coalesce into an album landing somewhere between M83 and MEW. Simply put, Pasiflora without any doubt is the band’s best and most creative release yet. “We aim to surprise people with every record and like to work outside of our own safe zone as much as possible. The challenge is to shape the result into a clear, consistent album,” says guitarist/vocalist Will Benoit. “We’re genuinely excited to have found something fresh at a point in our timeline when a lot of bands become stagnant.” Pasiflora was self-produced in Benoit’s Radar Studios (JUNIUS, CASPIAN) - which by the way is New England’s first and only solar-powered recording facility - and co-mixed by Daryl Rabidoux (BAD RABBITS, THE CANCER CONSPIRACY).
Earlier this year we interviewed the band and Will told us:
We definitely have another drastic change in sound this time around! I mentioned earlier, these days we are really embracing our 90s shoegaze side, so this album is full of really dreamy songwriting. Our drummer Rob came up with a lot of the basic patterns and melodies this time, and I’m also singing very differently… from people who’ve heard it, we’ve heard a lot of different comparisons, but the feedback has been really good so far. Read the entire interview here. As he says, CONSTANTS want to surprise people, and so they did with Pasiflora. I just can speak for myself and I definitely was thinking of a completely other album. But to be honest: So far Pasiflora is the best surprise (in sense of a band’s new album) of 2012. Check this out, this could be your soundtrack of this year’s summer! Review by "Robert Helbig"(http://nothingbuthopeandpassion.com).

RATING:  6.75 / 10

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*. Wir .*

Album: Zeit (1978)
Genre: Prog Rock (Hard Rock)  /  Germany

Songs / Tracks Listing
01.Oh, diese Sehnsucht am Abend
02.Laßt mir meine Träume
03.Du hast immer bei mir ein Zuhaus
04.Nicht mit mir
05.Da schlug die Flamme
06.Zeit
07.Nach dem Konzert

Line-up / Musicians
Wolfgang Ziegler / vocals, piano, organ, guitar
Hans-Joachim Kluge / drums
Ingolf Zwick / guitar
Doris Martin / vocals
Thomas Reuter / bass

RATING:  8 / 10

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*. Wobbler .*

Album: Oslo Progfest (2004)(Bootleg)
Genre: Symphonic Prog (Psychedelic)  /  Norway

Live Concert - Oslo Progfest - 18 September 2004

Songs / Tracks Listing
01.Clair Obscur
02.Rubato Industry
03.Hinterland I
04.Hinterland II
Total Time: 55:09

Line-up / Musicians
Lars Fredrik Froislie / keyboards, glockenspiel
Martin Nordrum Kneppen / drums, recorder
Kristian Karl Hultgren / bass, alto & tenor saxophone
Tony Johannessen / vocals
Morten Andreas Eriksen / electric & acoustic guitars, mandolin, tambourine, kazoo

RATING:  7.75 / 10

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